Anni Albers’s Intersecting: geometric language The German textile artist blurred the lines between traditional craft and modern art. Intersecting Colors: Josef Albers and His Contemporaries itself presents a generative ... courtesy the Josef and Anni Albers Foundation/Yale University Press. Limited-Edition Prints by Leading Artists, Study for an unexecuted wallhanging, 1926, Four works: (i) Triangulated Intaglio II; (ii) Triangulated Intaglio III; (iii) Triangulated Intaglio IV; (iv) Triangulated Intaglio V, Bankside Power Station, London. December 1994, 2000, © 2018 The Josef and Anni Albers Foundation/Artists Rights Society (ARS), New York/DACS, London. The German textile artist blurred the lines between traditional craft and modern art. In addition to frequent conversations with her many friends and colleagues, Albers drew inspiration from the pre-Columbian art she viewed during travels throughout Mexico and the Americas. Image courtesy of the Josef and Anni Albers Foundation. Excluded at the Bauhaus school from the boys’ club of painting, she made an old medium new. Here, she creates a sense of … Its title suggests the medium’s basics – the meeting of warp and weft – as well as its greater cultural resonance. On view August 28, 2015 – January 3, 2016. Find more prominent pieces of abstract at Wikiart.org – best visual art database. Anni Albers. Anni Albers, Intersecting, 1962, pictorial weaving, cotton and rayon, 400 x 419 mm. Elle épouse Josef Albers en 1925. Anni Albers, née Annelise Fleischmann le 12 juin 1899 à Berlin en Allemagne et morte le 9 mai 1994 à Orange dans le Connecticut aux États-Unis, est une artiste américaine d'origine allemande qui a participé au mouvement du Bauhaus et a enseigné au Black Mountain College. Although she began weaving almost by default, Albers became among the 20th century’s defining “pictorial” textile artists. Anni Albers in her weaving studio at Black Mountain College, 1937. The retrospective exhibition, Anni Albers, explores the pioneering female artist’s position within the history of abstract … The great modernist weaver Anni Albers made one of the earliest forms of cultural expression relevant to the 20th century. ‘Intersecting’ was created in 1962 by Anni Albers in Abstract Art style. Intersecting was made when Albers was exploring ideas around written language: the lost codes of ancient texts and forms of communication such as weaving. Find more prominent pieces of abstract at Wikiart.org – best visual art database. Albers arrived at the Bauhaus in Weimar, Germany in 1922, but was limited in the coursework she could pursue as certain disciplines were not taught to women. A member of the Bauhaus who fled to the U.S. in 1933, his ideas about how the mind understands color influenced generations of students, inspired countless artists, and anticipated the findings of neuroscience in the latter half of the twentieth century. Anni Albers combined the ancient craft of hand-weaving with the language of modern art Printmaker and textile artist Anni Albers is widely recognized both for her geometric patterned compositions and deep involvement with the Bauhaus and Black Mountain College, teaching at the latter between 1933 and 1949. The lines that wander down its vibrant vertical red, white and blue stripes suggest many things to the modern eye: Japanese calligraphy, scroll art, the rhythms of speech or music, the scribbles of a lie detector test, perhaps. Albers arrived at the Bauhaus in Weimar, Germany in 1922, but was limited in the coursework she could pursue as certain disciplines were not taught to women. Anni Albers – Weaving a discipline of resilience Anni Albers (1899-1994) is the chosen artist to celebrate the Bauhaus centenary year at Tate Modern. Here, she creates a sense of rhythm and movement on a handloom. 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